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“songs from the big closer​.​”

by the sleeping bag

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jjjjeeeennnnnnnnyyyy mmmmaaaarrrriiiioooonnnn
jjjjeeeennnnnnnnyyyy mmmmaaaarrrriiiioooonnnn thumbnail
jjjjeeeennnnnnnnyyyy mmmmaaaarrrriiiioooonnnn this album has such an odd vibe to it
even on the songs with happier sounding melodies there’s a haunting feeling lingering in the background of it all
10/10 Favorite track: the signal.
John Bricker
John Bricker thumbnail
John Bricker ayyy, that's pretty good. Seriously, beautiful songwriting and production on this thing, great little gem. Favorite track: "dirt.".
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1.
there’s nothing beneath the skin so quit being afraid of losing blood this is all a dream these lines blur into the black until they reach where i cannot see you hold your cards facing you i’ll hold my cards to where they can see you too and you’ll have my story to keep for some time in your heart long drives at night keep your head up and you’ll be alright long drives at night keep your eyes open and you’ll do just fine sometimes i get blue wondering if anyone else feels like me too speeding forward over potholes and roadkill will i get there soon? sometimes i think of death as a release how bout you? (how bout you?) is there salt in the wound? do you ever hope something tragic would happen just so you could feel something? i’m tired of feeling nothing is my name already on the stone? does free will exist? am i just on tracks? are there exits on this road? long drives at night stay out of your head and you’ll be alright long drives at night arguing with yourself is a losing fight there’s nothing beneath the skin believe me, i’ve seen it all kid i’ve drank from the iron you were cast in quit being afraid of losing blood redemptions running on flat tires and frankly i’ve stopped giving a fuck this is all a dream lines on the road begin to blur like my speech and by the time you’re able to scream you’ll already be caught between the windshield and the driver’s seat long drives at night watch the road and you’ll be alright long drives at night ghosts in the cab and ghosts in the headlights eating away at what created you watching you from the darkest corners of your room
2.
spirit of the stairwell it's nice to meet you here in your room where everything is covered in snow were you listening to my "please don't go"'s i've got some hole in my head this time i've never felt like this before but i'll fall in gladly spirit of the stairwell do you miss a happy home? a picture in a dirty locket a hazy glow its always raining in this city of mine where the streets are full of children playing their hearts out and i have so many questions what is now in their eyes was once in ours spirit of the stairwell this is all i had to say i almost missed you its been some time lets spend some time starting again starting again it's always gonna rain in this room (in this city) of mine where the walls are covered in pictures of dead artists and i have so many questions what was once in their eyes is now in ours
3.
the signal 07:52
i have fresh poison inside of my veins i’ll bleed it out whenever you give me the signal it’s coming up it’s coming up the best part is coming up just around the corner where is here and there is no now sacrifice an old life in the hopes that some great light will come down and save us but you don’t know when you don’t how you don’t know why i have fresh poison inside of my veins i’ll bleed it out whenever you give me the signal
4.
"dirt." 10:22
upside down and backwards my view of you distorted you could say i'm jaded or we could call it like it is silence on the creekbed it's cold and i'm exhausted i (you) could hold the dirt above you (me) but i'm so much weaker now upside down and backwards i miss you more than ever driving home it's raining and the dirt has turned to mud (dirt) slides off of your forehead the creek, it started rising it holds you up, holds you up until the heat comes back to flush you out there’s nothing beneath the skin but your bones are surely broken some part of my spirit watched as you were ghosted my hands carved through the earth and my eyes drowned at the sight of the dirt stained red and smelled of rust i was chokin’
5.
(reverse audio) (leave me alone x8) dynamite inside of my chest ready to blow spraying everything on everyone in this crowded room i think i’m gonna be sick (i think i'm gonna be sick) you wanna know how i really feel? ask me what i think about you and him you wanna know how i really feel? ask me where i've been i dare you i'm only four minutes in (leaking fast out my cuts) and i'm stuck to the floor like glue (let me open up my head for you) better stay down boy if you know whats really (i need another five minutes in a world) good for you (full of red/green/blue) but i have another 20 minutes left (my bloodied, swollen face) so i will stand up and rot and sweat (sinking into the sidewalk crowd) in my little corner of the world (stacking up my broken bones) stacking up my broken bones you wanna know how i really feel? ask me what I think about your new friend you wanna know how i really feel? you wanna know how i really feel? think about the times i kept you up all night you wanna know how i really feel? i don't think you do just a tear in the crack of the sidewalk stumble down broadway find your way back in the dead of night dark sunglasses turn the headlights grey and the rest of the world to that perfect shade of nothing (nevermind) who will i be when the credits roll? drunk thoughts sting 'till I sleep them off. who will i be when the credits roll? drunk thoughts sitting in my mind.
6.
i am falling asleep in the basement tonight with your face on the screen and the screen next to mine there is peace in the sounds of ghosts that i am sure do roam my home i hear as I drift into dreams no more dread within my bones where it used to rest no voice is calling to me as it did when i was young from the screen door it barked probably just cheering me on nor in the stands watching me where i run a field to die alone but it’s still wandering free it doesn’t see me anymore it doesn’t know if i can miss it or just hate it a little more it doesn’t taste the way my breath could turn the air into gold if i needed to is that how love story unfolds like some great quilt that grandma'd knit stored away high up in some strange closet until the winter when we needed it i called to you from that same door that my parents once did like i was desperate for it like i had some great gift to give but what i had was closed i held it closed inside a fist that could reach into some black water to pull you out when you fell in instead you lifted yourself up dusted off and dived in again and left me there on the shore to watch you wallow in your sin we say to remember the dead as they would want to be kept alive and so my arms stand outstretched holding onto a note of details i reach for you i guess maybe that’s why i felt so at home when i stopped breathing in your arms guess that’s what stripped the fear from my bones when you were in the screen tearing me apart guess that’s what made it worth so many times turning my deepest fears into art and i was soaked and my hearts slowed down right there in the water where i watched you sink

about

the big closer was an idea i came up with in the late summer of 2018 and i gave it a name about a month ago, in early november of 2018.

this album or idea of the big closer is the symbolization of my current self (specifically my present self as of recording each individual song) destroying the past self that still lived inside of me, obviously prior to recording these songs (specifically the previous idea of myself from about 5 months ago, around the time right after (part2) was released and i was laid up at home after having gone through a benign tumor biopsy in my tibia).

i’m letting go of this part of me because i can, and this is an exercise in accepting mortality on a grander scale for when i’m an old geezer, and because this is a weight off of my shoulders in terms of the still-kicking, previous version of myself i had been carrying around.

during the month i was unable to walk without crutches or a cane, i was confined to the couch or a chair in front of a computer where i recorded high noon, and about 2 weeks right before i had gone into the surgery, i watched a shitty documentary about death and the afterlife, or lack there of. it scared the shit out of me, not that i’d never thought that there may be no afterlife, but because i connected so well with some of the older people in the documentary. i started to think about how limited my time really is, and how i’d only put out one album this year. i remembered that this surgery was only in 2 weeks and there would be anesthesia involved and pain-killing drugs... oh yeah, and a wicked hole in my tibia. and it all snow-balled into this existential freak-out fuzz that i was swallowed by, only 2 weeks before my surgery and then lasted another month.

on top of all of this i was starting my senior year of high school in about 40 days.

it’s funny how when you spaz about having missed out on so many opportunities in the span of the 3 previous years of high school your brain can totally block out the beautiful experiences you’ve had for the sake of letting your bull-shit existential worries get to you.

i’ve been told a lot by my friends that i put out too much music too quickly and i totally agree with them and we joke about it, but even still before recording this album, i felt like i had so much i wanted to say and so little time to do it. like i had already given myself a death date. i never knew it then, but i had given myself a death date.

i killed july 1st - july 31st doug campbell on october 29th when the single “long drives at night” was released. similar in title only to the track “this place at night” from my previous album (part2), i wanted to introduce the next album as a reinvention. to me, (part2) felt like a failure for being a song and dance i’d already done.

suicidal lyrics, blah blah blah, and more rambling about a car crash, but this time, i get to do it for 40+ minutes. not again.

i opened the first and only warning wound on october 10th with the non-album single “blood.”. a 27 minute, 5-song... uh... song, where i forced myself to write in a style i’d never tried before. it was during this process that i realized why i had been so afraid of dying in july. i was afraid i would never change and i would continue to write and record the same meaningless record, maybe with the exception of “i’m on your side.”, for the rest of my music career.

that’s why i put it in quotes, too.

songs from the big closer isn’t a title that speaks.

“songs from the big closer.” is a title that demands to be heard.

it understands that it’s there. it lives and breathes in the room with me as i listen to it because it is a part of me, existing, and still destroying another part of me all at once.

and it’s a celebration of self-realization.

“it doesn’t know if i can miss it or just hate it a little more
it doesn’t taste the way my breath could turn the air into gold
if i needed to.”

i really don’t care and will never care if i had anything amazing to write about as the person i was if i hadn't destroyed the person i was, and neither will the big closer. it doesn’t care, and i don’t really care about it. besides, it’s only an idea that i used to kill a part of myself that i hated and would’ve only hurt me worse and continue to fuel any depression or suicidal ideation inside of me that i was expressing through songs that i hated more than my own condition.

but now i'm rambling, so i'll let the songs speak.

credits

released December 1, 2018

doug campbell - guitar, bass, vocals, drum machines, drums, piano, glockenspiel, alto sax, sampling.

all songs written, recorded, produced, engineered, mixed, and mastered by doug campbell from october 17th to november 25th at homes in j-town, taylorsville, and st. mathews. additional field recordings and ambient noise captured at the pope lick train trestle (november 17th) and memmaw's house way east in hazard, kentucky (november 10th).

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the sleeping bag Louisville, Kentucky

doug campbell makes cool music.

louisville.

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